ANTON BRUCKNER Sinfonie in d-moll »Nullte« | 1869
Bruckner Orchester Linz | Markus Poschner

#bruckner24 – ein gemeinsamen Projekt von Bruckner Orchester Linz, Radio-Symphonieorchester Wien und dem Label Capriccio unter der Leitung von Markus Poschner, das bis 2024 alle Sinfonien Anton Bruckners in allen Fassungen vorlegen wird.
Bruckner Symphony #0 – erschienen im Februar 2022
REVIEWS
Bruckners Nullte, keine Nullnummer
Rating: 4.0
»Poschner and the Bruckner Orchestra Linz remain true to their chosen path and deliver a fresh und bright interpretation.«
Uwe Krusch
»This interpretation is wonderfully detailed, thoughtfully chamber-musical and, despite the brisk pace, very lyrical – this above all because of the clear, nuanced and warm orchestral sound.«
Guy Engels | Pizzicato | 04.02.2022
Ungültig, aber großartig
»… in einer herausragenden Interpretation.«
»Dass Bruckner für den Dirigenten ›eine Art Absprungpunkt in eine andere Welt‹ ist, beweist diese Aufnahme eindrucksvoll.«
Kulturabdruck | 17.02.2022
A Thrilling, Epic Quality
»The Bruckner Orchester Linz plays superbly throughout and Markus Poschner’s enthusiasm for this music allows him to reveal details of orchestration that, maybe, were hitherto missed. This is a splendid third volume in Capriccio’s ongoing cycle of the complete Bruckner symphonies, in exciting sound quality and detailed annotations.«
Gerald Fenech | Classical Music Daily | 01.03.2022
Bruckner: Symphony in D minor (Linz/Poschner)
Rating: 4.0
»Fortunately this performance is impeccable, in the safe hands of Markus Poschner, and I look forward to the continuation of the series.«
Michael Tanner | BBC Music Magazine | 17.03.2022
Review: Bruckner Symphony No 0
»Recording quality and playing are both first-class, the woodwinds and brass especially eloquent in quieter passages.«
Gramophone | Issue 04/2022
Video Review: The best of the worst?
»Why, oh why, do we not take Bruckner at his word? He discarded this symphony, and so should we. With that said, you won’t find a more knowing, intelligent performance than this one, from a conductor who clearly understands the work’s problems and does his very best to minimize them.«
David Hurwitz | The Ultimate Classical Music Guide | 26.04.2022